Identify the stylistic techniques used by the painter of this vase.
Style:
Archaic calm Classical cloak drapery faces folds glaze Helen individuals legs line lion looking naturalism overlap pointed proximity Red shield tunic warriors Figure
1.
Archaic calm Classical cloak drapery faces folds glaze Helen individuals legs line lion looking naturalism overlap pointed proximity Red shield tunic warriors and her women are in close
Archaic calm Classical cloak drapery faces folds glaze Helen individuals legs line lion looking naturalism overlap pointed proximity Red shield tunic warriors [?] to one another - Makron was not afraid to
Archaic calm Classical cloak drapery faces folds glaze Helen individuals legs line lion looking naturalism overlap pointed proximity Red shield tunic warriors [?] his figures and it is a measure of his skill and success that there is no difficulty in distinguishing
Archaic calm Classical cloak drapery faces folds glaze Helen individuals legs line lion looking naturalism overlap pointed proximity Red shield tunic warriors [?] 2. Skill in depicting
Archaic calm Classical cloak drapery faces folds glaze Helen individuals legs line lion looking naturalism overlap pointed proximity Red shield tunic warriors [?] helps us to distinguish individuals. He has used precise
Archaic calm Classical cloak drapery faces folds glaze Helen individuals legs line lion looking naturalism overlap pointed proximity Red shield tunic warriors [?] -drawing on clothing to indicate varying materials:
a) close-set
Archaic calm Classical cloak drapery faces folds glaze Helen individuals legs line lion looking naturalism overlap pointed proximity Red shield tunic warriors [?] b) delicately defined
Archaic calm Classical cloak drapery faces folds glaze Helen individuals legs line lion looking naturalism overlap pointed proximity Red shield tunic warriors [?] c) broad folds for heavier
Archaic calm Classical cloak drapery faces folds glaze Helen individuals legs line lion looking naturalism overlap pointed proximity Red shield tunic warriors [?] d) zigzag of clothing - isn't
Archaic calm Classical cloak drapery faces folds glaze Helen individuals legs line lion looking naturalism overlap pointed proximity Red shield tunic warriors [?] now, but rounded and curved - a further step towards naturalism and realism.
e) depiction of Paris' cloak between his
Archaic calm Classical cloak drapery faces folds glaze Helen individuals legs line lion looking naturalism overlap pointed proximity Red shield tunic warriors [?] Technical Features:
Use of diluted
Archaic calm Classical cloak drapery faces folds glaze Helen individuals legs line lion looking naturalism overlap pointed proximity Red shield tunic warriors [?] for the sandals of the two
Archaic calm Classical cloak drapery faces folds glaze Helen individuals legs line lion looking naturalism overlap pointed proximity Red shield tunic warriors [?] and for the body of the
Archaic calm Classical cloak drapery faces folds glaze Helen individuals legs line lion looking naturalism overlap pointed proximity Red shield tunic warriors [?] represented as a blazon (emblem) on the
Archaic calm Classical cloak drapery faces folds glaze Helen individuals legs line lion looking naturalism overlap pointed proximity Red shield tunic warriors [?] of Paris' companion.
Expressionism - eyes have more a naturalistic "staid expression and steady demeanour" - i.e. we can tell that Paris is
Archaic calm Classical cloak drapery faces folds glaze Helen individuals legs line lion looking naturalism overlap pointed proximity Red shield tunic warriors [?] at Helen
This painting reflects the
Archaic calm Classical cloak drapery faces folds glaze Helen individuals legs line lion looking naturalism overlap pointed proximity Red shield tunic warriors [?] style that was just coming into ascendancy in sculpture
-
Archaic calm Classical cloak drapery faces folds glaze Helen individuals legs line lion looking naturalism overlap pointed proximity Red shield tunic warriors [?] - expressive
Archaic calm Classical cloak drapery faces folds glaze Helen individuals legs line lion looking naturalism overlap pointed proximity Red shield tunic warriors [?] -
Archaic calm Classical cloak drapery faces folds glaze Helen individuals legs line lion looking naturalism overlap pointed proximity Red shield tunic warriors [?] graciousness
Makron ended the late
Archaic calm Classical cloak drapery faces folds glaze Helen individuals legs line lion looking naturalism overlap pointed proximity Red shield tunic warriors [?] patterning - he borders the Classical style.