THE BUST OF PHILIP THE ARABIAN

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   244      71      Arabian      bump      chisel      concern      concerned      concerns      contabulata      cropped      Empire      eyes      furrowed      gaze      Gordian      hair      high      ideal      jaw      lifelike      man      material      military      mouth      murdered      murderers      nose      patrician      Republic      right      Rome      short      state      Syrian      toga      unflattering      unrest      veristic   
When was this carved and how high is it?

Date: c. AD -249 ;
Height: cm

Background the events that took place during his reign.

The middle of the 3rd century was characterised by major . In particular, economic, religious, military and political unrest contributed to a period of instability at and its frontiers.

The emperors came from either political or backgrounds depending on how much support they had. The life expectancy of an emperor was very as they were murdered and replaced by their . This pattern repeated itself and there were 20 emperors during this period of Rome's history.

As his name suggests, Philip was not Roman by birth, but was an . He came to prominence through his military career and served under the emperor Gordian as the praetorian prefect. After was killed in battle by the Persians, Philip became the emperor. His reign was relatively short (244-249 AD) before he was by his own soldiers.

What are the main stylistic features used?

The bust of Philip marks a return to the image as seen in the portraiture of the carrying busts. This means we see an image that is not ised but . This emphasised the spirit of the , not the office that he held.

1. His hair and beard are closely . The grooves were carved using a sharp rather than a drill
2. His forehead is deeply in concentration reflecting the of the man towards his subjects
3. Crevices line his and
4. He is dressed in a new style of toga called the toga , which was smaller than the normal toga. A broad band of thick lay across the chest rather than over the arm of the older style toga
5. Philip's origins are reflected in his prominent , complete with , and his cheekbones and heavy line



What means has the sculptor used to achieve this portrait?

The of Philip is not directed towards the person viewing the portrait. This is a deliberate ploy to show that he is with the unrest of the period. His eyes are averted to the with his bushy eyebrows turned inwards to reflect the care that he is exhibiting towards the . In a way he is saying that his thoughts and are always with the state.

He has used the different style.
He has trimmed his in the style of the late and Early .
The have the iris outlined, and the pupil removed to give a expression.