History:
The Colosseum was originally called the
100 70 79 80 animals arches brick canvas Corinthian Doric elevator eliptical engaged fate Flavian flood Ionic Nero passageways pilasters seating Senators statue three tickets Titus travertine tufa upper velarium Vespasian wood [?] Amphitheatre after its builders, the emperors
100 70 79 80 animals arches brick canvas Corinthian Doric elevator eliptical engaged fate Flavian flood Ionic Nero passageways pilasters seating Senators statue three tickets Titus travertine tufa upper velarium Vespasian wood [?] and
100 70 79 80 animals arches brick canvas Corinthian Doric elevator eliptical engaged fate Flavian flood Ionic Nero passageways pilasters seating Senators statue three tickets Titus travertine tufa upper velarium Vespasian wood [?] , both of the Flavian family. Construction began around
100 70 79 80 animals arches brick canvas Corinthian Doric elevator eliptical engaged fate Flavian flood Ionic Nero passageways pilasters seating Senators statue three tickets Titus travertine tufa upper velarium Vespasian wood [?] AD in a low lying area between the Palatine, Esquiline, and Caelian hills that had once formed the pond of
100 70 79 80 animals arches brick canvas Corinthian Doric elevator eliptical engaged fate Flavian flood Ionic Nero passageways pilasters seating Senators statue three tickets Titus travertine tufa upper velarium Vespasian wood [?] 's Domus Aureus. The amphitheatre probably came to be called the "Colosseum" because a colossal
100 70 79 80 animals arches brick canvas Corinthian Doric elevator eliptical engaged fate Flavian flood Ionic Nero passageways pilasters seating Senators statue three tickets Titus travertine tufa upper velarium Vespasian wood [?] of Nero once stood near it.
The Colosseum was completed in 80 AD and seated more than 50,000 spectators. Its opening was celebrated with
100 70 79 80 animals arches brick canvas Corinthian Doric elevator eliptical engaged fate Flavian flood Ionic Nero passageways pilasters seating Senators statue three tickets Titus travertine tufa upper velarium Vespasian wood [?] days of games in which thousands of animals and gladiators were killed. Occasionally the Colosseum was
100 70 79 80 animals arches brick canvas Corinthian Doric elevator eliptical engaged fate Flavian flood Ionic Nero passageways pilasters seating Senators statue three tickets Titus travertine tufa upper velarium Vespasian wood [?] ed in order to stage small naval battles, though these more commonly took place in large basins, called naumachias, that were specially dug for that purpose. The emperor had his own entrance to the Colosseum, and from his private "box seat" he decided the
100 70 79 80 animals arches brick canvas Corinthian Doric elevator eliptical engaged fate Flavian flood Ionic Nero passageways pilasters seating Senators statue three tickets Titus travertine tufa upper velarium Vespasian wood [?] of defeated gladiators.
The floor of the arena was
100 70 79 80 animals arches brick canvas Corinthian Doric elevator eliptical engaged fate Flavian flood Ionic Nero passageways pilasters seating Senators statue three tickets Titus travertine tufa upper velarium Vespasian wood [?] covered with sand. Beneath the floor was a maze of
100 70 79 80 animals arches brick canvas Corinthian Doric elevator eliptical engaged fate Flavian flood Ionic Nero passageways pilasters seating Senators statue three tickets Titus travertine tufa upper velarium Vespasian wood [?] , and temporary holding pens for the animals. A hand-operated
100 70 79 80 animals arches brick canvas Corinthian Doric elevator eliptical engaged fate Flavian flood Ionic Nero passageways pilasters seating Senators statue three tickets Titus travertine tufa upper velarium Vespasian wood [?] was used to raise the
100 70 79 80 animals arches brick canvas Corinthian Doric elevator eliptical engaged fate Flavian flood Ionic Nero passageways pilasters seating Senators statue three tickets Titus travertine tufa upper velarium Vespasian wood [?] from the basement up to the arena floor. The walls of the subterranean passageways can still be seen today, although the Italian government has decided to refloor the Colosseum.
For all its beauty, the Colosseum is also a marvel of ergonomics and efficiency. It is estimated that 50,000 people could enter and be seated in 15 minutes. The reason for this is that the Romans invented
100 70 79 80 animals arches brick canvas Corinthian Doric elevator eliptical engaged fate Flavian flood Ionic Nero passageways pilasters seating Senators statue three tickets Titus travertine tufa upper velarium Vespasian wood [?] and assigned
100 70 79 80 animals arches brick canvas Corinthian Doric elevator eliptical engaged fate Flavian flood Ionic Nero passageways pilasters seating Senators statue three tickets Titus travertine tufa upper velarium Vespasian wood [?] . Before the game, a spectator would pick up a ticket which had a number that corresponded to one of the
100 70 79 80 animals arches brick canvas Corinthian Doric elevator eliptical engaged fate Flavian flood Ionic Nero passageways pilasters seating Senators statue three tickets Titus travertine tufa upper velarium Vespasian wood [?] entrance arches which all had numbers above them (the
100 70 79 80 animals arches brick canvas Corinthian Doric elevator eliptical engaged fate Flavian flood Ionic Nero passageways pilasters seating Senators statue three tickets Titus travertine tufa upper velarium Vespasian wood [?] th arch was for the emperor). The ticket also had a level, and a seat number.
100 70 79 80 animals arches brick canvas Corinthian Doric elevator eliptical engaged fate Flavian flood Ionic Nero passageways pilasters seating Senators statue three tickets Titus travertine tufa upper velarium Vespasian wood [?] had reserved seats with their names carved in the marble base - some of these can still be seen today. The basic structure of the Colosseum and the ticket system is still used today for many gaming events, from bullfights in Spain to baseball games in America.
The Colosseum was used regularly for almost 400 years, and has suffered through earthquakes, neglect, and the pillaging by popes who took its marble for their own buildings.
Architecture:
The Colosseum is
100 70 79 80 animals arches brick canvas Corinthian Doric elevator eliptical engaged fate Flavian flood Ionic Nero passageways pilasters seating Senators statue three tickets Titus travertine tufa upper velarium Vespasian wood [?] , sitting on a NW to SE axis. The building's core is constructed of
100 70 79 80 animals arches brick canvas Corinthian Doric elevator eliptical engaged fate Flavian flood Ionic Nero passageways pilasters seating Senators statue three tickets Titus travertine tufa upper velarium Vespasian wood [?] and a relatively soft, porous rock called
100 70 79 80 animals arches brick canvas Corinthian Doric elevator eliptical engaged fate Flavian flood Ionic Nero passageways pilasters seating Senators statue three tickets Titus travertine tufa upper velarium Vespasian wood [?] . The exterior is clothed in
100 70 79 80 animals arches brick canvas Corinthian Doric elevator eliptical engaged fate Flavian flood Ionic Nero passageways pilasters seating Senators statue three tickets Titus travertine tufa upper velarium Vespasian wood [?] marble, a brilliant white stone that was later favored by Michelangelo for his sculptures. Originally the Colosseum had
100 70 79 80 animals arches brick canvas Corinthian Doric elevator eliptical engaged fate Flavian flood Ionic Nero passageways pilasters seating Senators statue three tickets Titus travertine tufa upper velarium Vespasian wood stories, but a fourth was added by Alexander Severus when he refurbished the building around 230 AD.
The bottom three stories have
100 70 79 80 animals arches brick canvas Corinthian Doric elevator eliptical engaged fate Flavian flood Ionic Nero passageways pilasters seating Senators statue three tickets Titus travertine tufa upper velarium Vespasian wood [?] arches each; the stories are separated by a thin architrave (a horizontal band running around the entire Colosseum). The columns in one story line up exactly with those in the story above it. The arches on the bottom story are separated by
100 70 79 80 animals arches brick canvas Corinthian Doric elevator eliptical engaged fate Flavian flood Ionic Nero passageways pilasters seating Senators statue three tickets Titus travertine tufa upper velarium Vespasian wood [?] columns (the columns are
100 70 79 80 animals arches brick canvas Corinthian Doric elevator eliptical engaged fate Flavian flood Ionic Nero passageways pilasters seating Senators statue three tickets Titus travertine tufa upper velarium Vespasian wood [?] , which means the column shafts are actually part of the wall making it impossible to walk behind the columns). The second story has engaged
100 70 79 80 animals arches brick canvas Corinthian Doric elevator eliptical engaged fate Flavian flood Ionic Nero passageways pilasters seating Senators statue three tickets Titus travertine tufa upper velarium Vespasian wood [?] columns, and the third has
100 70 79 80 animals arches brick canvas Corinthian Doric elevator eliptical engaged fate Flavian flood Ionic Nero passageways pilasters seating Senators statue three tickets Titus travertine tufa upper velarium Vespasian wood [?] . The fourth story is a solid wall with thin Corinthian
100 70 79 80 animals arches brick canvas Corinthian Doric elevator eliptical engaged fate Flavian flood Ionic Nero passageways pilasters seating Senators statue three tickets Titus travertine tufa upper velarium Vespasian wood [?] (rectangular columns that are also engaged). The space between the pilasters is filled alternately with 40 small, rectangular windows and 40 bucklers (now lost).
The unique combination of strong support columns with airy
100 70 79 80 animals arches brick canvas Corinthian Doric elevator eliptical engaged fate Flavian flood Ionic Nero passageways pilasters seating Senators statue three tickets Titus travertine tufa upper velarium Vespasian wood [?] and thin architraves makes the Colosseum look sturdy, yet open and soaring. The Doric column is the oldest type - it is strong, simple, and even severe in appearance, making the first story appear to be a strong foundation. Moving up the building, the columns become progressively "newer" and more refined, lending a lightness to the
100 70 79 80 animals arches brick canvas Corinthian Doric elevator eliptical engaged fate Flavian flood Ionic Nero passageways pilasters seating Senators statue three tickets Titus travertine tufa upper velarium Vespasian wood [?] stories.
There was no roof on the Colosseum, but in the summer great
100 70 79 80 animals arches brick canvas Corinthian Doric elevator eliptical engaged fate Flavian flood Ionic Nero passageways pilasters seating Senators statue three tickets Titus travertine tufa upper velarium Vespasian wood [?] sheets were rigged to the top to form an awning, called the "
100 70 79 80 animals arches brick canvas Corinthian Doric elevator eliptical engaged fate Flavian flood Ionic Nero passageways pilasters seating Senators statue three tickets Titus travertine tufa upper velarium Vespasian wood [?] ", that kept the sun off everyone inside. These sheets were so large and unwieldy that sailors from the the nearby port of Ostia were brought in to manage them. With the awning attached, the Colosseum must have looked something like a grand barge that could sail away.
Acknowledgement: T. M. M. Ryan