The Pantheon

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Who built this temple and when?

The original Pantheon was built by in 27BC. This temple was burned down in AD80, by Domitian, but burned again in 's reign.

undertook a complete restoration of the building from its very c. 126 A.D., and it is his temple that is preserved now, as its brick-stamps testify

pantheon
What is the significance of the inscription on the front of the portico?

* Hadrian set up on the of the porch a self-effacing inscription honouring as the builder

To which god/goddess was it dedicated? What is the evidence for this?

The building is identified as the Pantheon by an inscription beneath this one, on the , which relates to a restoration undertaken by Septimius Severus in AD202.
* this name, Pantheon, has various interpretations
* the temple may have been to all, or many of, the gods
* a modern view is that the seven interior were occupied by statues of the gods; (in alphabetical order) , , , , , plus the Sun, the Moon
* an ancient interpretation that the dome symbolised the and thus had religious significance in itself has gained modern support as well


What are the elements of the building?

The building as erected by Hadrian, has elements:
(i) a at the back, which was built , is the focal point of the whole design
(ii) a on the north side, and (iii) an entrance


What are the dimensions of the rear structure? What materials were used?

* 44m in and about 56m in external , it rests on suitably impressive concrete foundations 4.5m and about 7m
* the circular wall is of -faced concrete
* originally stuccoed on the
* rises in three levels, each marked by a projecting
* about m to the first cornice, m to the second and a further m to the third
* the back of the rotunda was buttressed by a of the nearby Basilica of Neptune


How is light admitted to the interior?

* above the second cornice let light into a passageway within the wall at this level
* the 9m wide 'eye' of the dome


What was the significance of the projecting cornices?

* these cornices correspond to certain s within the rotunda
* first is aligned with the over the ground-floor columns
* second is on a level with the rows of panels and , where the dome appears to begin
* third corresponds to the second level of in the ceiling and is the true point from which the dome springs


Describe the construction of the dome.

* the dome, stepped on the outside for about its height, was faced with bricks over the concrete core, and then made impermeable with a covering of crushed (opus signinum), and finally roofed with bronze ; the present roof is a later restoration.


Describe the interior walls.

Inside, the entrance and alcoves, alternately semi-circular and trapezoidal, and screened by columns, are cut into the encircling wall. Between them are projecting pedimented niches, which also cut slightly into the wall
* small semi voids within the wall itself were left behind these eight niches
* it has been suggested that they were introduced to help in the drying of the great mass of in the wall


Why were arches built into the walls?

With so many weight reducing spaces in the wall, a large number of relieving was necessary to concentrate the remaining weight on stable features like the and of the ground floor
* such arches may be seen, made of brick, on the of the wall at the top of the third level. The second level on the interior consists of a row of rectangular niches and panels of veneer, before the later enlargement of the niches and panels, and the addition of pediments.


How is the weight of the ceiling reduced?

As it rose, the dome was made up of a progressively lighter and thinner layer of to reduce its
* the ceiling is decorated with rows of recessed coffers which decrease in size as they approach the of the dome
* they are essentially features whose recesses have an additional advantage of catching the light through the 9m wide 'eye' of the dome


Why is there no flooding when it rains?

* rain that poured through the eye was drained off through small holes in the of the marble floor


What sort of visual impression does the interior give?

Most writers have commented on the visual impact of the interior of the Pantheon. Much of this comes from
* the unimpeded view the spectator has up to the ceiling and out to the
* the subtle in the surface of the encircling wall with its screened niches
* the wealth of veneering on the floor and the wall



Describe the entrance to the temple.

The porch itself is imposing, slightly er than it is (13m : 12m), and 33.5m wide
* a front row of columns of granite with marble capitals screens further rows each of columns (three are not original)
* aisles are thus created
* one leads to the central
* the others lead to large niches which held statues of and
* the paving is of granite and marble, the doors were of , and the originally had gilded bronze tiles (the present roof is a 17th century restoration)

Overall the porch maintained the wealth of decoration that marks the interior, but retained the traditional deep, columned approach of earlier Roman . The visitor in antiquity would probably have been far less aware of the disunity of form between the rotunda and the porch since most of the rotunda was obscured by the wide and surrounding structures, and the temple was approached mainly from a long yard in front of it.