ARA PACIS AUGUSTAE   -   The Altar of Augustan Peace

Gap fill exercise

Fill in all the gaps, then press "Check" to check your answers. Use the "Hint" button to get a free letter if an answer is giving you trouble. You can also click on the "[?]" button to get a clue. Note that you will lose points if you ask for hints or clues!
   altar      Augustus      Dedicated      Gaul      Height      Length      limestone      MARBLE       Mars      Mussolini      pacification      processions      propaganda      relief      sacrifice      screen      Senate      ten      three      volcanic      white   
Plate questions 1983, 1992, 1998

This is a magnificent altar surrounded by a screen which is highly decorated with sculptured reliefs on both the interior and the exterior.  It highlights one of the major functions of the works of art and architecture which we see on this course: art being used for to glorify the achievements of Rome and of particular Romans.

 

Date:               13 BC, construction complete 9 BC

Type:               Art: sculptures

:            6.1m  (Campbell says 7m)

:           East /West (front and back) 10.5m

                        North/South (sides)                 11.6m

Material:        

TUFA                            (the altar itself)       
TRAVERTINE               (foundations, platform and pavement)
CARRARA (superstructure)

 

Tufa is a local conglomerate rock and a general purpose stone.

Travertine is a form of . It is more durable than volcanic stone and takes a strong edge and sharp detail far better.

Carrara marble is and came from quarries at Carrara, 350km north of Rome

Location:        On the Campus Martius (Field of ) in northern Rome

Restored:       to current appearance and site in the 1930s by .

 

Why was the altar built?

1. It was awarded by the to honour Augustus and to commemorate his return to Rome, as a gesture of public thanks. This was in lieu of triumphal honours normally celebrated by a victorious general.  From 16 to 13BC Augustus had been supervising the of the western Roman provinces of Spain and .

When Augustus had emerged as a sole ruler after 29BC, he had refused to accept triumphal honours which were offered him.  Therefore the Senate found other ways officially to celebrate his return to Rome, and this altar was one of them.

2. It was used as a focus for an annual to give thanks for peace.

3. It was an enduring instrument of symbolising a new age of peace, prosperity and fertility.

 

Precedent for the form

There was an ‘Altar of Pity’ with surrounding screen walls in Athens in the 5th century BC.  It was situated in the ‘agora’, which is Greek for ‘marketplace or forum’.

Precedent for the decoration

There is a similarity between the on the North and South walls of the Ara Pacis Augustae and the Panathenaic procession on the Parthenon, on the Acropolis in Athens.  They are different however in that the Roman procession represents a specific occasion, while the Greek one is a generalised procession and the Roman people are personalised and real, whereas the Greeks are formalised and ideal.

The craftsmanship of the Ara Pacis Augustae is Greek, as is the concept of an important civil and religious procession. deliberately allows himself and his family to be linked with the greatness of 5th century Athens.

 

Description

The structure is an altar enclosed by a wall.  The north and south walls of the screen are full walls and the east and west walls have openings midway.  The entrance is from the west up steps leading to the level of the base of the screen.  A further steps lead up to the itself.